By Frankie Kujawa
After thirty-five years of shaping Everyman Theatre into one of Baltimore’s most cherished cultural institutions, Founder and Artistic Director Vincent M. Lancisi is preparing to take his final bow. What began in 1990 as a bold dream in a fire-damaged church has grown into a thriving, $6 million theater dedicated to accessibility, artistry, and community. Lancisi’s vision — rooted in the belief that great theater should be both exceptional and inclusive — transformed Everyman from a fledgling idea into a cornerstone of Baltimore’s arts scene. As he readies for retirement in 2026, Lancisi reflects not only on the legacy he leaves behind, but on the next act waiting just beyond the curtain.

Compiled By Frankie Kujawa
Baltimore theater fans, get ready — Fells Point Corner Theatre (FPCT) has unveiled its upcoming 2025/26 season, and it’s packed with sharp comedy-dramas, fierce competition, feminist twists on classic mysteries, and the community-driven events that have made this scrappy theater a cornerstone of Baltimore’s arts scene.

Now entering its 38th year, Fells Point Corner Theatre has become a vital part of Baltimore’s cultural fabric. Known for championing both acclaimed premieres and homegrown original works, the theater is leaning into its reputation for staging challenging, relevant, and joyfully unpredictable productions.

​“Trouble in Mind” by Alice Childress
November 7 – 30, 2025
The season kicks off with a landmark piece of American theater. Alice Childress’s sharp-witted comedy-drama, Trouble in Mind, follows a seasoned Black actress navigating the contradictions of being cast in a so-called “progressive” Broadway play written and directed by white men. As rehearsals unfold, artistic compromise collides with racial politics in ways that remain startlingly timely today. Originally staged Off-Broadway in 1955, the play only made its Broadway debut in 2021 — earning four Tony nominations. Now, FPCT is bringing this long-overdue classic to its Baltimore stage.

“Dance Nation” by Clare Barron
Directed by Genevieve De Mahy
February 13 – March 8, 2026
Next, FPCT channels the manic, bloody, glitter-fueled world of competitive dance with Clare Barron’s Dance Nation, a Pulitzer Prize finalist that has been hailed as both hilarious and devastatingly honest. Set in the cutthroat world of tween dancers clawing their way toward Nationals, the play explores ambition, rivalry, and the messy journey from girlhood into adulthood. Expect sweat, tears, fangs, and maybe even a few gasps. Former Single Carrot Theatre Artistic Director Genevieve De Mahy will lead this electric production.

“Miss Holmes Returns” by Christopher M. Walsh
Directed by Brad Norris
April 24 – May 17, 2026
After a hit run of Miss Holmes in 2024, FPCT is bringing back the beloved duo — Sharon Maguire and Emma Grace Dunbar — in Christopher M. Walsh’s feminist twist on Sir Arthur Conan Doyle’s iconic characters. In this sequel, Holmes and Watson (reimagined as women in Victorian England) return to crack a case involving murder, political intrigue, and the dangers faced by women daring to take on “men’s work.” Managing Director Brad Norris returns to direct, promising an even more thrilling adventure in this Baltimore premiere.

Beyond the main stage, FPCT will keep audiences buzzing with its rowdy annual Monologue Slam VI (January 9, 2025), where local performers duke it out for bragging rights, cash, and laughs in a one-night-only showdown.

​And for theater lovers looking to get on stage themselves, FPCT will continue offering educational programs throughout the season — with classes for all ages announced on a rolling basis.

Tickets, flex passes, and group discounts are available at www.fpct.org or by calling (410) 878-0228.

By Frankie Kujawa
Get ready, Baltimore! SHUCKED, the uproarious, Tony Award®–winning musical comedy that has critics laughing out loud is coming to Charm City. Running through Sunday, April 6th at the Hippodrome Theatre, this musical is as unforgettable as a sprinkle of Old Bay—spicy, addictive, and undeniably entertaining. Maryland-native Erick Pinnick, who plays Grandpa in the performance, is bringing his undeniable talent to the delight of audiences! 

By Frankie Kujawa
Roaring back into Baltimore’s Hippodrome Theater through Sunday, March 2nd, Disney’s The Lion King captivates audiences once again. Forest VanDyke, who brings the mischievous hyena Banzai to life, recently sat down to discuss his role, the excitement of the upcoming production, and the personal insights he's gained while traveling with the national tour.

By Frankie Kujawa
Agatha Christie’s AND THEN THERE WERE NONE, now extended through January 12th at Everyman Theatre, is a masterclass in suspense and mystery. Adapted for the stage by the Queen of Crime herself, this iconic thriller pulls audiences into a world where nothing is as it seems. In this interview, Everyman Theatre's lighting designer Harold Burgess illuminates the creative process behind his captivating designs, sharing insights into how he brings both mood and meaning to the stage through light.

Compiled By Frankie Kujawa
Producer Cameron Mackintosh recently announced that the newly revitalized production of Andrew Lloyd Webber’s THE PHANTOM OF THE OPERA will launch a new multi-year North American tour from Baltimore's historic Hippodrome Theatre in November 2025.  ​​This new North American tour will not only premiere here in Charm City, but it will also utilize Maryland’s Theatrical Production Tax Credit program.

By Frankie Kujawa
As many well-renowned set designers already know, the design of a set must be able to support the performance’s narrative, which is the essential element in storytelling. No one knows this more than Daniel Ettinger, Everyman Theatre's Resident Set Designer. Ettinger has created scenic designs for over 260 productions for New York and regional theatre companies. Since 1996, he has designed extensively at professional theatres in the Baltimore/Washington area. Audiences can see his current designs in "POTUS" running at Everyman Theatre through Sunday, September 29th.  Ettinger recently chatted about his creative process, the challenges set designers face, and what makes being part of the Everyman Theatre a unique experience.  

By Frankie Kujawa
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​Running through Sunday, June 9th, Everyman Theatre presents William Shakespeare’s beloved comedy, A Midsummer Night’s Dream, with a dynamic ensemble cast of 12 seasoned actors who are no strangers to Shakespeare. Directed by Everyman Associate Artistic Director, Noah Himmelstein, and adapted by Gavin Witt, Himmelstein leans into the strengths and bonds of the Everyman Resident Company by casting it a little differently by skewing the ages of the young lovers. Everyman Resident Company Member Zack Powell recently chatted about his dual roles as Puck and Philostrate in the performance, his background as a performer, and the power theater has on Everyman audiences.

By Frankie Kujawa
The transformative performances that Baltimore’s Everyman Theatre has a reputation for staging have become beloved by all of Charm City’s audiences.  Their Resident Company boasts some of the highest-quality performers within the mid-Atlantic region.   Two of those performers, Beth Hylton and Megan Anderson, are currently showcasing their dramatic magnetism in DIAL M FOR MURDER.  With an extended run now through Sunday, January 7th, Jeffrey Hatcher’s adaptation of the Frederick Knott classic murder mystery is a heart-pounding tale of deception and betrayal. Hylton and Anderson recently chatted about the current production, the magic of being an Everyman Resident Company member, and the relationship they have forged as both cast-mates and real-life friends.